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Own It or Disown It: #530: Babymetal, The Other One

If I could get away with these columns being only six words long, this week’s edition would consist of only Read more at Earbuddy.

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Own It or Disown It: #531: Aiko, Ima no Futari o Otagai ga Miteru

As a passive observer of the Oricon Albums Chart, Japan’s answer to the Billboard 100, I’ve noticed a whole lot Read more at Earbuddy.

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Own It or Disown It: #532: Cyber Rui, Brain Rush

So much of hip-hop’s history, from its relationship with idolation to the permutations afforded (nay, demanded, at least at one Read more at Earbuddy.

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Own It or Disown It: #533: Gang Parade, Our Parade

I follow a lot of different hobbies whose priorities and most celebrated values shift under guidelines decided seemingly by arbitration. Read more at Earbuddy.

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Own It or Disown It: #534: Minutemen, The Punch Line

Punk rock of the 80s remains some of the most important music ever made, a measured response to both the Read more at Earbuddy.

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Own It or Disown It: #535: Kid Acne, Romance Ain’t Dead

Picture this: you’re a twentysomething avid reader of music blogs, and you’ve decided that your new favorite album of all Read more at Earbuddy.

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Own It or Disown It: #536: Thirty Seconds to Mars, A Beautiful Lie

There’s this quote from a documentary packed in with the special edition copies of Halo 2, quoted to design lead Read more at Earbuddy.

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Own It or Disown It: #537: Sematary, Butcher House

Hip-hop has an (incoherent screaming) problem. (Fine: music, and pop culture in general, has an (incoherent screaming) problem, but it’s Read more at Earbuddy.

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